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“Now is definitely the time,” says Serkis.
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“Venom” will effectively launch the fall movie season, with many carefully eyeing its performance. After several delays, Sony moved up its release by a few weeks. “Let There Be Carnage,” originally set for release last October, will be one of the bigger releases to launch only in theaters during the pandemic. But pretty sure we’re going to go back to what was beginning to burgeon before the pandemic.” We’ve had a pandemic, which has forced people to watch things on a very small screen. “At the moment, we’re standing at a junction. “What I’m really interested in is the future of storytelling, and how that is going to change over the next 10, 20, 30 years,” says Serkis. Serkis, who revolutionized the use of motion capture in characters like Gollum in “The Lord of the Rings” and Caesar in “Rise of the Planet of the Apes,” has been increasingly drawn to the nexus of filmmaking and technology. “Hopefully you see it on screen as well - the frenetic, manic nature of someone judging two personalities.”įor Serkis, who directed 2018′s “Mowgli: Legend of the Jungle,” 2017′s “Breathe” and is prepping an adaptation of George Orwell’s “Animal Farm” for Netflix, it’s another twist in a shape-shifting career. “It may seem schizophrenic and I do appreciate that I do look mad when I’m doing it,” adds Hardy. “I’ve gotten used to seeing myself as a piece of meat and observing myself from outside as: What do I want to do with my vehicle? OK, Tom’s not working properly. To Hardy, acting against himself has become a familiar process. Serkis calls Hardy’s system “mesmeric” to watch. Then, while Hardy performs as Brock, Venom’s lines are played through an earpiece. On set, Hardy typically retreats to a corner to record his Venom lines, which are enhanced with a pitch-modulator. In one scene set to Louis Prima, Venom makes breakfast for Hardy to cheer him up. The sequel is also about Brock and Venom undergoing what Serkis calls “the seven-year-itch” in their relationship, as both yearn for independence. Kasaday attracts his own symbiote, Carnage, enabling his prison escape.
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“Let There Be Carnage” takes a gothic turn, bringing Brock into the orbit of a serial killer, Cletus Kasaday (Woody Harrelson). We asked Sony, Kelly and I, if we could have a shot at pitching the second movie,” says Hardy. “Putting your hat in the ring is a logical step. Hardy is also a producer, a first for him on a feature film. Hardy also took a hand in shaping the follow-up he and Kelly Marcel (co-writer of “Venom”) are credited with the film’s story. This time, he sought out Serkis, the actor-director best known for his extensive work in motion capture performance, to follow the original’s director, Ruben Fleischer. On the first “Venom,” the actor has said some 30 minutes of scenes were left on the cutting-room floor. “We had to have a debrief and a wash up and say: What worked here? What didn’t work? What can we do better?”įor the sequel, Hardy took firmer control.
It did rather well, enough for Sony to make another one,” says Hardy. “When it came out, critics didn’t like it - which is fair enough - and the audience did like it. Venom is a relatively marginal Marvel character the movies, Serkis says, are “swimming in the darker end of the Marvel pool.” But even though reviews weren’t very good, the film was a hit, grossing $856 million worldwide. In the dependable realm of superhero movies, the first “Venom” was somewhat of a risk. “The masks of Eddie Brock and Venom are larger than life, but they’re ultimately two sides of the same coin.” “What’s thrilling is to be able to delve through the human psyche and the paradox of the human condition and play them in a farcical, superhero action thriller,” says Hardy, speaking by phone from London.
And given that the two lead parts are played by the same actor, it’s the comic-book film most centered on an actor’s freewheeling performance. The dominant conflict is less about world saving and more about a very odd couple cohering in one body.
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“Venom: Let There Be Carnage,” which Sony will release in theaters Friday after a year’s delay due to the pandemic, extends what may the oddest superhero series around. “That tone was what everyone universally agreed was the epicenter of this world,” says Andy Serkis, director of the sequel “Venom: Let There Be Carnage.” “That is precisely the touchstone moment for where we started off with this.”
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